Creator Mark L. Smith's six-episode examination of scruffy, vicious people traversing the Utah Territory in 1857 also stars Taylor Kitsch and Dane DeHaan.

Set during the Utah War of 1857, Peter Berg's limited series lays out a world where love conquers little, indifference is the only path to survival, and wanting anything will only bring death that much faster.

In the catalog of the modern western, a lot of space is given to stories focused on what is assumed to have been the sheer miserableness of life on the frontier. Viscous carpets of mud. Frigid snowscapes. Scalpings. Rapes. The sibilant impact of arrows puncturing flesh.

Netflix's limited series starring Betty Gilpin and Taylor Kitsch plays out against the background of the so-called Utah War.

Netflix's most ambitious western to date explores the conflicts that threaten to destroy pluralistic societies

The Western can be a deeply romantic genre with white hats and black hats, dusty streets and beautiful sunsets. Great films and TV series have broken with our rose-colored expectations of the American frontier,

American Primeval, a new Netflix limited series about the Utah War in the 1850s, isn’t afraid to dramatize the horrors of the Old West. Directed by Peter Berg (Friday Night Lights) and written by Mark L.

Peter Berg directs an epic six-part drama about the Mountain Meadows Massacre of 1857, in which more than 100 settlers were murdered by militant Mormons.

American Primeval ’s director and executive producer Peter Berg ( Friday Night Lights) knows that depicting real events isn’t without its challenges, and while much of what’s depicted on screen is dramatized,