The actor pulls double duty as twins facing a deadly toy monkey in the Stephen King adaptation, which had a script that he loved but left him "slightly confused" because of its comedic tone.
The tones and approaches to the material, however, couldn’t be more different. I think the best description for the kind of movie The Monkey is would be “Splatter Comedy” rather than ...
Few filmmakers have successfully adapted Stephen King’s work for the screen, and even fewer have found a way to stay true to ...
The tone Perkins adopts this time isn’t creepy-subtle; it’s bluntly snarky and misanthropic and in-your-face. Yet there isn’t enough going on in the film to sustain that. “The Monkey” is ...
The group’s fusion-influenced dance music reached its peak with Glide, the Top 10 R&B single from the album Future Now. The ...
Neon Share The first rule of “The Monkey” is there are no steadfast ... Director Perkins and his team set the tone for the brutally comedic nature of the carnage with that early death sequence ...
A still from Osgood Perkins’ The Monkey. Courtesy of NEON Not taking life and death so seriously is the film’s greatest strength, and it would have been improved by sticking with that tone for ...
One of the most influential bassists of the ‘80s, Peter Hook developed a style marked by open-string drones, and a dark, ...
The Monkey isn't even out yet, but Tatiana Maslany's second collaboration with its director Osgood Perkins is already kicking ...
LOS ANGELES, Feb. 17 (UPI) --The Monkey, in theaters Friday ... Advertisement The film sets quite a different tone than director Osgood Perkins' previous horror movies, including last year's ...
It’s more than 40 years since George Michael’s first hit with Wham!, and to mark this moment, we explore his discography to ...
I can only hope you don’t go out in one of the hyperviolent, showstopping ways that writer-director Osgood Perkins reserves for his characters in “The Monkey.” Death not only has a sick ...
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