The Classical Review16h
A first-rate cast brings the romance and heartache to Met’s “Bohème”
For this initial run, the strong cast offers soprano Ailyn Pérez as Mimi, tenor Dmytro Popov as Rodolfo, baritone Boris ...
The Classical Review11d
Blazing Copland, Kirchner highlight AMP’s 10th anniversary finale
Following successful collaborations with the Kontras Quartet and Illinois Philharmonic Orchestra earlier this year, the American Music Project wrapped its 10 th anniversary season Sunday afternoon ...
The Classical Review1mon
A Boston double-shot of Gershwin musicals proves timely and delightful
Aaron Engebreth and Abagail Paschke in George Gershwin’s Of Thee I Sing, presented by Odyssey Opera. Photo: Kathy Wittman What has been harder to come by of late, and not just locally, are ...
The Classical Review16d
Bates Piano Concerto proves an instant classic in Trifonov’s debut recording
Bruckner: Symphony No. 7; Bates: Resurrexit. Manfred Honeck/Pittsburgh Symphony Orchestra (Reference). Daniil Trifonov’s most recent release, “My American Story” offers a welcome, wide-ranging ...
The Classical Review24d
A harpsichord festival grows in Washington, courtesy of Capriccio Baroque
Justin Taylor will open Capriccio Baroque’s harpsichord festival Friday night at the French Embassy. Carolyn Winter founded Capriccio Baroque in 2017, splitting off the harpsichord-centered series ...