Select for large format glass. Most of the Hawk lenses are available as Vintage‘74 versions.

The Vantage rental operation, headquartered in Weiden, encompasses facilities in Berlin, Leipzig, Prague, Budapest, Paris, Brussels, Marrakech and Los Angeles – all staffed by sophisticated camera pros with extensive set experience, and offering the resources, skill and flexibility to equip shows of every size and description.

Hawk offers the widest range of anamorphic and spherical motion picture lenses in the industry. Each series is visually distinctive but all can be freely combined.

Downloads product information. Get your hands on the Hawk lens guide and brochure packet pictured here. Packed with brief but useful facts about the full range of Vantage lenses and other products, these materials put what you need to know at your fingertips.

Hawk offers the widest range of anamorphic and spherical motion picture lenses in the industry. Each series is visually distinctive but all can be freely combined.

Hawk offers the widest range of anamorphic and spherical motion picture lenses in the industry. Each series is visually distinctive but all can be freely combined.

Designed for the rigors of production and the specific needs of today’s video engineers, the PSU-4 obviates the need for improvised amalgamations of on-set laptops, tower computers, convertors and up-scalers, while recording and monitoring an astonishing eight separate, customized full HD camera streams at once, or alternately, the ability to record and monitor two camera streams in …

2500+ lenses on stock; Extensive selection built around the signature Hawk Anamorphics and VantageOne and VantageOne4 spherical lenses; All professional lens systems completely covered, including Arri, Cooke, Leitz, Zeiss, and more

Christopher Blauvelt “We chose Super 16mm anamorphic because of its beautiful curvature and focus fall-off. We wanted the camera to be close to Amy Jo, to create an intimacy with her and the things she’s going through.

Christopher Blauvelt “We chose Super 16mm anamorphic because of its beautiful curvature and focus fall-off. We wanted the camera to be close to Amy Jo, to create an intimacy with her and the things she’s going through.